Bath Society of Artists : 119th Open Exhibition (BSA Members Only)

With Rain Comes Hope

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Ref_2411

By lawrence nash

Collage, Acrylic on Canvas, Acrylic Paint Pen on Paper

h: 57 w: 82 d: 4 (cms).

£2200

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Ref_2411

Public Choice Voting

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Ref_2413

By lawrence nash

Collage, Acrylic on Canvas, Acrylic Paint Pen on Paper

h: 57 w: 82 d: 4 (cms).

£2200

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Ref_2413

Public Choice Voting

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Artwork

By jan byrne

ceramics mainly

h: 30 w: 25 d: 25 (cms).

ceramic vessel with found objects

£500

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Artwork

Public Choice Voting

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Anniversary

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Contrails and Moon

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Julia

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And the sky, was it ever so blue? (after McGough)

By geoff shillito SWAc, BSA

Oil on Canvas

h: 100 w: 80 d: 3 (cms).

Paying homage to Roger McGough’s 1960s poem, 'My Bus Conductor', this painting considers an epilogue where we witness the bus conductor rising up to Heaven whilst the bus he once commanded slowly disappears into the landscape.

£4000.00

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And the sky, was it ever so blue? (after McGough)

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The Girl on The Beach

By geoff shillito SWAc, BSA

Oil on Canvas

h: 45 w: 60 d: 3 (cms).

This narrative work is a deliberate enigma. Who is the girl? Why is she on the beach? Is she alone? Is there significance to the impending storm far out at sea? The viewer is invited to form their own interpretation of this imaginary story.

£1800

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The Girl on The Beach

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Fragments #4

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Southstoke Detail Two

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Horsecombe Winter Two

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Patrick Moore

Public Choice Voting

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Shifting lll

Public Choice Voting

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Shifting lV

Public Choice Voting

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West Bay

Public Choice Voting

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Osmond

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Ira Brooks

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The Bed

Public Choice Voting

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Orange Glow

Public Choice Voting

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Pageant

Public Choice Voting

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SOUTH DOWNS

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Taking a Book to Bed

Public Choice Voting

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Pink Martini

Public Choice Voting

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Jazz Sax

Public Choice Voting

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Passengers

Public Choice Voting

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Under The Waves After Kandinsky

Public Choice Voting

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Jagged Blue

Public Choice Voting

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Glow Flower

Public Choice Voting

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Bothered

Public Choice Voting

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Waiting, Watching

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Sunday Walkers

Public Choice Voting

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Structure II

Public Choice Voting

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Structure III

Public Choice Voting

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Untethered 1

Public Choice Voting

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Untethered 2

Public Choice Voting

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Sneaky so and so

By richard crooks

Fired clay

h: 14 w: 10 d: 8 (cms).

Informed by architectural forms found in Bangladesh

£750

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Sneaky so and so

Public Choice Voting

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The Central Building, Bristol

Public Choice Voting

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View from Kingsway Precinct, Frome

Public Choice Voting

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Abandoned Zimmer

Public Choice Voting

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Gallops at Beckhampton Wiltshire

Public Choice Voting

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Shelter II

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He wasn't getting away this time ...

Public Choice Voting

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The trail was as treacherous as the company ...

Public Choice Voting

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Submerged

Public Choice Voting

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Art as Theatre

By charlotte moore

Oil on canvas

h: 53 w: 106 d: 4 (cms).

Art as Theatre is about paintings with connections, here it is Velasquez and Sargent.

£1100

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Art as Theatre

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Age of Gold

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Bean

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A Wider View

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Clown Head I

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Abstract Horse (Red)

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Text Prompt: A General History of Quadrupeds III

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Kinetic Study 34

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from The Black Book No 6

Public Choice Voting

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High Noon?

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Searching

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Dryads

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Napoli

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Tangled Wild Flowers

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Stargazers

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Downland Landscape

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Stone Sister I

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Stone Sister II

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Ladder Riders I

By holly bennett

Eco-resin

h: 25 w: 23 d: 10 (cms).

This is part of a pair with Ladder Riders II, to be seen together.

£380

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Ladder Riders I

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Ladder Riders II

By holly bennett

Eco-resin

h: 27 w: 23 d: 9 (cms).

This sculpture is part of a pair with Ladder Riders I.

£380

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Ladder Riders II

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From Roundhill

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".......From Both Sides Now" (Cloud Series)

By marc bodie

Resin, perspex, Wood base

h: 46 w: 30 d: 19 (cms).

Inspired by my young childhood when I would lay on the grass, excited eyes fixed on the moving and morphing cloudscape, with a vivid imagination I would see figures, faces, animals and castles in clouds, an ever evolving theatre of wonder playing out just for what my hungry imaginative mind chose to make of it. These are two of my Cloud pieces brought into one piece with a other additional figurative elements bringing a new dialogue to the one the other two figures are having between them.

£4850

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".......From Both Sides Now" (Cloud Series)

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No Way to Say Goodbye

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Self, Me, Mine

By sarah ball

Watercolour, pencil and Ink

h: 56 w: 76 d: 1 (cms).

A "self-portrait" through the genre of a "still-life" painting. The objects are all that I have collected whilst out walking, the plants are ones I have planted, I love the shape of the sedum plants. I am particularly fond of the colours turquoise and pink and have used these particular colours within the painting to suggest a little more about my preferences. I am a keen observer and love to draw.

£3000

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Self, Me, Mine

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Nansmornow - Lamorna Cove to Penzance

By sarah ball

Watercolour, frottage and pencil

h: 56 w: 76 d: 1 (cms).

A keen walker of the South West Coast Path, this painting shares the story of my walk from Lamorna cove to Penzance and the beach finds I found along the way become part of that story through frottage. I also like to research the history of the people working the land or the sea in these areas, hence the writing within the painting.

£3000

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Nansmornow - Lamorna Cove to Penzance

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Between ii

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Fulking Escarpment, South Downs

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Aldeburgh Beach

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Melksham v Frome town

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Piano Delivery, Bath

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Bridge tea room, Bradford on Avon

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Adding to the Cache

By colette lemaire baker ( no hyphen!)

Carved wood

h: 13 w: 41 d: 7 (cms).

Painted, carved wood with gold leaf

£525

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Adding to the Cache

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Paul's Mirror

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The Cost of Being Ruled by Historic Delusions

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Café del Sol, Gracia

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Triana II

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Singing the Blues

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Bird on a String

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Don't You Wish You'd Smiled?

By rebecca lisle

salvaged, painted wood

h: 46 w: 38 d: 36 (cms).

Found wood (scraps of furniture, architrave, and scrap timber from building sites), repurposed to form a thought-provoking sculpture.

£650

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Don't You Wish You'd Smiled?

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The Lake Reflections

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Lacework

By susanna lisle

Gouache, collage and coloured pencil

h: 34 w: 34 d: 1 (cms).

£900

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Lacework

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Magic Garden

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My Celia

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Millcombe House

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Hopes & Doubts

By marc bodie

Fine line pen on Yupo PAper

h: 30 w: 21 d: 1 (cms).

This piece, is as the title alludes to someone deeply preoccupied, eyes inward looking, the unshaved face possibly giving us a sense that his thoughts have been consuming him for some time, so much so that he is neglecting himself a bit, as he moves through wishful thinking and caution, nothing is definate, it is unsettled, not fully focused, I endeavour to reflect this with the work bleed outs / under defined areas of this self portrait.

£850

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Hopes & Doubts

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Tree Line

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Orbital

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Frame 2

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Shelter

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Widcombe footbridge, Bath

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Windows at Cosy Club

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Pilea

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Geranium

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Cotswold Way

By iain cotton

Bath Stone & Keim Paint

h: 22 w: 40 d: 32 (cms).

Forage Bath Stone boulder with carved road motif.

£2400

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Cotswold Way

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Making a Way; Holding it Together

By iain cotton

Bath Stone and Keim Paint

h: 20 w: 20 d: 20 (cms).

£1200

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Making a Way; Holding it Together

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